| FZ:. |
| .. just so I can hear the song again
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| One two one two three
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| I’ll give you two bars
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| One two one two three
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| One two one two three
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| Again
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| One two one two three
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| One two one two three
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| That’s-- We’re missing
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| ??: The accent
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| FZ: Okay
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| ??: Frank, the that part?
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| FZ: No, actually, I think the part you’ve got is probably. |
| The other one was
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| pretty much engineered for the tuba
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| Now, let’s go over this «New Brown Clouds» the way we were starting off with it.
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| You missed this part. |
| There’s seven, you count seven quarter notes before you
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| come in, Kenny. |
| And then you read that as if it was double-time
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| FZ: Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh duh duh duh duh duh duh duh duh duh duh duh duh
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| ??: Oh
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| FZ: All right, let me hear it
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| FZ: Let me hear the brass at that double-time clip
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| One-- I will count the seven beats before you come in
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| One two three four one two three
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| FZ: That 5/16 thing is like a little fanfare
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| Duh-duh duh-duh-duh
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| Duh-duh duh-duh-duh
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| Duh-duh duh-duh DUH
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| ??: Yeah, right
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| FZ: You know those little fanfares.
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| Aynsley: the four beat exactly?
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| Aynsley: just before it
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| FZ: When it’s perfect, it’ll come into the right place
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| Aynsley: Yeah, but it’s exactly
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| FZ: It should be one two three four one two three duh-duh duh-duh-duh
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| Aynsley: a sixteenth note before
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| FZ: Yeah. |
| It comes in right on the downbeat of the four beat of bar two
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| Aynsley:
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| FZ: One two three four one two three
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| Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh-duh duh-duh-duh duh-duh duh duh duh
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| Duh duh duh duh duh duh duh duh duh duh duh duh duh
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| Okay, here it is in full regalia
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| ??: Where?
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| FZ: From the beginning. |
| Brown Clouds |